P. L. Reid | An American Author
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New Day (1994)

​Emptied chasms open lay
As she tips before the silent gray,
Shrieking bloodless in dismay
The deaths of millions in her wake.
 
Guiless whore!
She spreading lay in darkest lover’s
Stinking shame.
Curse to mothers; gasping lovers,
Kin to angered and inane.
 
Frothy fields of dewy rain
Kiss upon her screaming rage,
Coolness soothing searing pain,
Upon this Woman comes
Famine’s feast and healing plagues.
 
Awaken!
Upon Us comes this day.
​

Silent Passage ​(1994)

Upon the arid branches
Of a cold November sky,
The pathos of a snow owl’s cry
Rings out the Great Divide.
One lone chick in search of they
Who’d long-since taken flight,
From Mother’s e’r-shortening days
And brutal hoarfrost nights. 
 
The tender fluff of downy white
‘Round solemn liquid eyes,
With razor beak uplifted
Twice the owlet sadly cries.
Adolescent wings outstretched
Beat air in frenzied flight,
With an eighth’s strength of his sire
More fury’s passion compensate.
 
His thoughts – I could not guess –
As in desperation and pain,
He explodes upon sights
Yet unvisited by his kind.
Driven by his aching
And by pelting drops of rain,
He swoops down to shiver in the eaves
Of a farmer’s sagging barn.
 
The owlet flutters out across
The dank and dusty floor,
To bat a dying mouse left from
The hunt of night before.
Farm cats, fat and lazy,
Blink and watch his growing rage,
His fever pitch unmatched
By his inability to feed.
As driving winds and frosty air
Turn water into snow,
Icy slivers rip into
The baby’s infant down.
The blasting sheets of Arctic slate
Rage on into the night,
While owlet drifts as in a dream
Into the dismal white.
 
Like a candle that flickers once
Before it wisps away,
The owlet lifts and rushes
The tumult of coming day.
Crashing through the clouds
He struggles with fates unknown,
Pathetic flapping drops into
The wash of daybreak’s glow.
 
The creamy down of baby’s coat
In patches torn away,
Expose beneath the flesh
Of youthful splendor gone astray.
Even as the scarlet drops
Slowly drain beneath,
Hungry crows gather silent
To feast upon his memory.
 
The locusts rise in sudden flight
And anger fills the ‘scape,
As a girl approaches across the field
To inspect the congregate.
Leaning over the remains
She sees not its smearied waste,
But instead is shocked to silence
By the peaceful sleeping face.
 
She lifts the weightless snow owl
And strokes its silky neck
As his head flops backwards
In most horrific haste.
“Daddy, daddy … come and see,” she cries,
As she rushes across her father’s field
With her terrible surprise.
 
The shovel clatters noisily
Upon the shallow mound,
The child sobbing as he’s laid
Into the frozen ground.
“I’ll bet an angel’s lifting him
To heaven as we speak,”
The father coughs and savors
The ache of numbing feet.
 
But the daughter hears nothing
On that melancholy day,
Except the crying of the wind
Against her tremulous face.
For the blessings of the Lord
Are hardest to discern,
Until you have endured
The sweet agony of them.
​

​The Days of Then and Now (1994)

​I remember brightest days
Through the cloudburst haze of time,
Softly creeping, they steal into
The far–reaches of my mind.
Gently chiding kisses
Open passions dusty lain,
Cast aside for countless years,
They well and rise again.
 
I look upon collected things
First sighted by your eyes,
Seashells – once shown opulent –
Now dusty,
Haunt my nights.
 
The sands of oceans fall between two lovers
For all time,
Drifting, sinking, washed ashore…
Then sifted through the greedy fists
Of many other’s lives.
 
I catch myself floating between
The days of then and now,
Older – both – but wise to life’s glimmer
On which reality is sown.
Never knowing where I am
Or where I’ll ever be,
Only knowing in my heart
What Forever lives in me.
​

​A Shining Harvest Moon ​(1995)

​Cascading peaks of airy foam
Drift light the coming waves,
With each intrinsic melting moon
Ripple seagrass silver grace.
As speckled pipers lightly rush
The depths of Mother’s lips,
Her icy kisses reach to steal
Her children’s lively steps.
 
Ebb and flow eternal grace
Hints secretive dismay,
Rushing low the darkened wake
Wherein all God’s creatures came.
On and on the ceaseless dance
Long season’s cyclic ring,
Not knowing the joyous riches
The very sight their coming brings.
 
Headlong race for ocean gifts
Laid out with loving hands,
Ochre waves glide trickled hiss
Of sun–warmed, sinking sands.
Breath held a timeless instant
Before shimmering retrace,
As Mother sighs and relaxes
Her watery embrace.
 
Aching with the longing cries
Ancient songs peal one desire,
To bring Her children bosomplace
Swirl frothy depths’ conspire.
In harmonic time pirouette and sway
To winds tympanic tune,
As cryptic spirits rise and fall
Beneath a shining harvest moon. 
​

​For My Sister (2002)

​Soul survivors in limelight seek
Center–stage with theatrical flair,
Childhood hearts that tremble and quake
At the blood sport exacted with care.
 
One smiles and laughs in seeming madness
Then shrugs as if nobody cares,
Anger spilt forth in heart–pounding rush
Hunted rabbit into hidden snare.
 
The other perceived with beauty and strength
Gives her Self up to spiritual growth,
Determined resolve for this sanctified state
Drained away by the need to be loved.
 
With scarcely a thought to their circular course
Calmly chanting each hardwired verse,
One in vulgarity, brashness and pluck
The other in anguish and curse.
 
Sadness prevails over secretive hearts
Dark suspicion; pervasive self–doubt,
Fear – the essential hazard of love
Peaceful passage relinquished throughout.
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